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The artwork world has modified past recognition for the reason that indomitable Italian patron Patrizia Sandretto Re Rebaudengo began out gathering modern artwork 30 years in the past. “There was no web, there have been hardly any artwork gala’s and never so many collectors,” she says. “I went to my first Venice Biennale in 1992. Even then, there weren’t many individuals—and definitely no yachts and no events.”
Right now, she is celebrating 30 years of gathering with an exhibition of greater than 70 of her key acquisitions on the Palazzo Strozzi in Florence (Reaching for the Stars: from Maurizio Cattelan to Lynette Yiadom Boakye, till 18 June). Talking on the opening final week, and sometimes fizzing with vitality, she recollects the second she determined to start out gathering modern artwork, throughout her first journey to London in 1992.
“British artwork was my old flame,” she says, recounting how a collector good friend from Turin launched her to Lisson Gallery’s founder Nicholas Logsdail—who, in flip, took her to see Anish Kapoor in his studio. “It was my first studio go to. The ground was full of those small works coated in yellow, blue and crimson pigment. The sight has stayed with me for greater than 30 years,” Sandretto Re Rebaudengo says (these pigmented sculptures had earned Kapoor the Turner Prize a yr earlier). “Then we visited Julian Opie in his studio and a younger Jay Jopling, when White Dice was nonetheless on Duke Road.”
Sandretto Re Rebaudengo recollects how she requested Logsdail what she should purchase. He replied in no unsure phrases: “I can’t inform you that. Take heed to your head and go along with your coronary heart.”
It’s recommendation that has served her effectively. The collector tends to purchase tough artwork—not small ornamental photos to hold in home areas, however sprawling installations and politically charged works. A lot of what she has acquired has been forward of any artwork market development, significantly relating to feminine artists, who she estimates make up greater than 50% of her assortment. As she places it: “From the start I by no means considered dimension. I all the time thought {that a} work ought to be sturdy and discuss one thing political or social.”
Star energy
Her cutting-edge bent was maybe a response to what got here earlier than her. Sandretto Re Rebaudengo grew up round artwork, however principally conventional works. Her mom collected Sèvres and Meissen porcelain and educated her and her brother in Previous Masters. Regardless of their variations in tastes, the title of the Florence exhibition, Reaching for the Stars, is a nod to Sandretto Re Rebaudengo’s historical past and household crest, which options three stars and the Latin motto “Robur advert astris”, which interprets as “the ability of the celebs”.
An set up view of Damien Hirst’s works within the exhibition Reaching for the Stars: from Maurizio Cattelan to Lynette Yiadom Boakye Picture: Ela Bialkowska OKNO studio
Noble beginnings are additionally highlighted within the exhibition’s first room, titled God Save the Queen. Right here, Sandretto Re Rebaudengo pays homage to her first encounters in London and the YBAs she started gathering early on. Alongside Kapoor’s 1,000 Names (1983) are two items by Damien Hirst: The Acquired Incapability to Escape, Inverted and Divided (1993)—an infinite set up of an upturned workplace chair suspended in glass subsequent to a packet of Silk Reduce cigarettes and a used ashtray, acquired from Jablonka Galerie in Cologne—and Love is Nice (1994), a giant butterfly portray bought from White Dice.
“Each works are concerning the circle of life, loss of life is a part of our life,” Sandretto Re Rebaudengo says matter-of-factly. Although she notes how the butterfly portray was created—by attracting the bugs to the canvas with shimmering paint the place they’d get caught and die—is at odds with at the moment’s sensibilities. “There’s a lot extra consciousness round animal rights,” she factors out.
Every room within the exhibition is organized by themes similar to identities, materials issues, mythologies and our bodies. To whittle down a up to date artwork assortment numbering greater than 1,500 works into these tight groupings has been an bold enterprise by the Palazzo Strozzi’s director Arturo Galansino. 5 photographers together with Thomas Ruff, Thomas Struth and Jeff Wall are gathered in a single gallery, a variety of the works taken from Sandretto Re Rebaudengo’s personal bed room. “They’re the final issues I see at night time,” she says. One other room is devoted to works by Italian artists together with Maurizio Catellan (a lot of them acquired from the London-based seller Laure Genillard), Paola Pivi and Lara Favaretto.
Past the gathering
In 1995, not lengthy after that first journey to London, Sandretto Re Rebaudengo established her basis; “I knew from the start I wanted to share my assortment,” she says. In 2002, she opened a minimalist purpose-built warehouse in Turin, designed by Claudio Silvestrin, the place she started to point out new commissions. “After I began gathering and speaking to artists, I understood there was an actual want for an area like this in Italy, significantly with the dearth of public establishments for modern artwork,” she says. Sandretto Re Rebaudengo additionally exhibits a part of her assortment in a family-owned 18th-century palazzo in Guarene, Piedmont.
An set up view of the exhibition Reaching for the Stars: from Maurizio Cattelan to Lynette Yiadom Boakye Picture: Ela Bialkowska OKNO studio
Subsequent yr, throughout the Venice Biennale, she is because of launch one other enterprise, on the Venetian island of San Giacomo, which is being developed as an area to provide creative tasks, and to host analysis and discussions on tradition extra broadly. One of many first works to be put in on the island shall be a 15m-tall sculpture by the Polish artist Goshka Macuga. Initially conceived for the Fourth Plinth in Trafalgar Sq. in 2021, when Macuga came upon her proposal had not been accepted she approached Sandretto Re Rebaudengo to assist realise the undertaking. GONOGO was unveiled for the primary time within the inside courtyard on the Palazzo Strozzi final week.
Sandretto Re Rebaudengo’s unwavering help for dwelling artists is what units her aside as a real patron. With the assistance of her son Eugenio, she is now trying to a brand new technology together with Avery Singer, Ian Cheng, Josh Kline—although she hardly ever, if ever, sells works to make means for brand spanking new commissions. “I don’t consider in errors—every little thing I’ve purchased is vital,” she says.
“In a sure means, a group is your life, it connects your biography to that of the artist and their work. My assortment is a map of my encounters and dialogues. It’s actually my story, my life.”
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