A uncommon nonetheless life by the Seventeenth-century French painter Louise Moillon by no means earlier than seen in public is now on show on the Kimbell Artwork Museum in Fort Value, Texas, offering a window into the abilities of the enigmatic artist.
Nonetheless Life with a Bowl of Strawberries, Basket of Cherries and Department of Gooseberries (1631) depicts an attractive unfold of freshly picked fruit, and had been unknown to students till its look at a Paris public sale in March 2022. The oil portray went to an American collector in a sale that set a brand new world public sale document for Moillon; in October, the collector bought the work to the Kimbell via the New York-based vendor Adam Williams.
“The Kimbell was inquisitive about buying the work at the start due to its excellent high quality and situation, and due to how stunning it seems hanging within the Kimbell’s Louis Kahn-designed galleries,” says Eric Lee, the director of the Kimbell. “It’s positive to turn out to be an viewers favorite.”
The portray, whose acquisition is one in all a number of marking the museum’s fiftieth anniversary, is the primary Seventeenth-century French nonetheless life to enter the gathering. Lee says it “contributes a brand new dimension” to the gathering’s French work from the interval, which incorporates works by Nicolas Poussin, Georges de La Tour and the Le Nain brothers. “It’s a plus that Moillon is a feminine artist,” he provides.
Born in 1609 or 1610 to a Protestestant household in Catholic France, Moillon could also be a reasonably obscure identify at present, however she achieved renown in her lifetime for her trompe l’oeil nonetheless lifes, which seize vegetables and fruit as mouthwatering jewels. She bought her first work in 1629—a portray of a bowl of peaches—after exhibiting it in Grenoble, and is assumed to have acquired commissions from Louis XIII of France and Charles I of England, who owned 5 of her fruit work. At this time, her works are within the collections of the Louvre, the Artwork Institute of Chicago, the Los Angeles County Museum of Artwork and the Norton Simon Museum in Pasadena.
Rising up within the Parisian district of Saint-Germain-des-Prés, a secure haven for Protestant refugees, Moillon was uncovered to the quiet tabletop scenes of painters from the southern Netherlands who have been amongst these looking for refuge from spiritual persecution. She herself got here from a household of artists: her father, Nicolas, was a painter, and her brother, Isaac, would turn out to be identified for his Baroque work. However students consider it was her stepfather, François Garnier, a still-life painter and vendor, who skilled her. By the age of 20, she had painted 13 nonetheless lifes, principally of fruit, in keeping with a listing taken following her mom’s demise in 1630.
For the reason that early twentieth century, Nonetheless Life with a Bowl of Strawberries has remained within the assortment of a household in central France. A label on its former body reads “J-A Ponsin, Rue Fortuny, Paris”, suggesting that it might have as soon as been within the assortment of Joseph-Albert Ponsin—an actor, stained-glass artist and founding father of the Bourjois cosmetics firm. La Gazette Drouot predicted a bidding struggle when the work went to public sale in March; it bought for €1.6m (together with charges), greater than eight occasions its excessive estimate of €200,000, and surpassing Moillon’s earlier document of €1.1m (with charges) at a Sotheby’s Paris public sale in 2016.
The Kimbell declined to say how a lot it paid for the work, as did Williams, who added that “that is the best image by Louise Moillon to return available on the market within the final 50 years”.
Dominique Alsina, who authored Moillon’s catalogue raisonné, has established 69 genuine work. Most of those, which the artist signed “Louyse Moillon”, date from between 1629 and 1637. Her remaining identified work dates to 1641, a 12 months after she married Étienne Girardot, a timber service provider. The Kimbell suggests: “Maybe the wealth and social standing of her husband and her intensive household circle discouraged her from persevering with her occupation.” Writing in France within the Golden Age, historians Pierre Rosenberg, John Wyndham Pope-Hennessy and Marc Fumaroli speculate that “the archaic model of her work had gone out of vogue”.
Moillon might not fairly but be having fun with a revival, however she is more and more getting museums’ seals of approval. In 2021, the Toledo Museum of Artwork bought a Moillon nonetheless lifetime of lemons and oranges. The Baltimore Museum of Artwork is at the moment exhibiting, via the summer season of 2023, a market scene from 1630 as a part of a partnership with the Nationwide Museum of Girls within the Artwork; and a portray of cherries, plums and melon is a standout at a monumental still-life exhibition on the Louvre.
On the Kimbell, Nonetheless Life with a Bowl of Strawberries is now on view within the museum’s south gallery, subsequent to a nonetheless lifetime of an extravagant bouquet by the Dutch painter Jacques de Gheyn II. “Although the Moillon is extra sober than the exuberant De Gheyn, the 2 work look great close to each other,” Lee says, “and characterize two vastly totally different approaches to still-life portray within the early Seventeenth century.”
