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The artist Jeffrey Gibson has joined the roster of the mega-gallery Hauser & Wirth. Gibson—who’s a member of the Mississippi Band of Choctaw Indians, of Cherokee descent, primarily based in upstate New York and at present representing the US on the 2024 Venice Biennale (till 24 November)—may also proceed working together with his longtime gallery in New York, Sikkema Jenkins & Co. His first solo present at Hauser & Wirth is scheduled for October 2025 in Paris and, within the extra speedy future, the gallery will present one in all his new works at Artwork Basel Paris (18-20 October).
Recognized for his brightly chromatic work and sculptures incorporating discovered phrases and conventional Indigenous processes and supplies like tin jingles, elk hides and beadwork, Gibson’s apply usually additionally consists of parts of set up and efficiency. His riotously vibrant transformation of the US Pavilion in Venice incorporates exterior murals and a bright-red sculptural platform for performances and different public occasions.
Set up view of the house during which to put me, Jeffrey Gibson’s exhibition for the US Pavilion on the sixtieth Venice Biennale (till 24 November), together with from left to proper: IF NOT NOW THEN WHEN (2024), The Enforcer (2024) and WE WANT TO BE FREE (2024). Mural: WE ARE MADE BY HISTORY (2024) Picture: Timothy Schenck. All works © Jeffrey Gibson. Courtesy the artist and Hauser & Wirth
“By his work, sculpture, public installations, performances and collaborations to advance studying, Jeffrey illuminates essentially the most difficult and profound points with wit and pleasure,” Marc Payot, Hauser & Wirth’s president, stated in a press release. “He makes use of his artwork to generate an ongoing critique of American tradition that’s concurrently fierce and loving, forceful and radiant—and in the end extremely beneficiant in the way in which it consists of us all. His concepts and apply align with these of many artists in our programme, from Mike Kelley to Frank Bowling, from Isa Genzken to Sophie Taeuber-Arp, in addition to different greats like Bridget Riley and Katharina Grosse, whose artwork he cites as touchstones.”
Jeffrey Gibson stress-free on one in all his sculptures on the US Pavilion in Venice The Artwork Newspaper
Gibson’s partnership with one of many world’s greatest business galleries comes at a transformational second in his profession, together with not solely his presentation in Venice—the place he’s the primary solo Indigenous artist to characterize the US—but in addition a forthcoming fee for the Metropolitan Museum of Artwork’s façade in New York (in September 2025) and a solo exhibition on the Massachusetts Museum of Up to date Artwork opening subsequent month. It additionally comes at a time of rising curiosity in modern Indigenous artwork from curators and collectors, and amid rising primary- and secondary-market demand.
Along with Sikkema Jenkins & Co, Gibson beforehand labored with the Chicago-based vendor Kavi Gupta, though final yr the artist sued Gupta for allegedly withholding greater than $600,000 in funds. (Gupta denied any wrongdoing.)
Gibson’s predecessor on the US Pavilion in Venice’s Giardini, Simone Leigh, was additionally represented by Hauser & Wirth for a time, though she in the end left the gallery to work with Matthew Marks Gallery as a substitute.
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