[ad_1]
The Lyon Biennale has returned after a three-year hiatus within the wake of the Covid-19 pandemic. The 2 curators—Sam Bardaouil and Until Fellrath, co-directors of the Hamburger Bahnhof, Museum für Gegenwartskunst in Berlin—organised the present primarily through Zoom. The title of the biennale, Manifesto of Fragility (till 31 December), is immediately derived from these periods, drawing on the emotions of the curators and contributors.
For this version, Bardaouil and Fellrath not solely needed to welcome artists but in addition to concentrate on native points of town. Alongside the exhibitions, the curators have recognized a variety of locations of curiosity in Lyon that they hope guests will uncover, together with Rue de la Quarantaine, Poste Antonin Poncet and the Loyasse cemetery. It’s subsequently not shocking that the occasion ventures this 12 months so far as the hill of Fourvière, within the shadow of the well-known Basilica of Notre-Dame de Fourvière.
Musée d’Artwork Religieux de Fourvière Fondation Fourvière
The exhibition at Musée de Fourvière, normally the house to non secular artwork, presents fragments of technological gadgets in addition to minerals that appear to come back straight out of a pure historical past museum, as in Julian Charrière’s Metamorphism (2016). One other key work on present is Wunderwelten (2022), a three-channel video by Mali Arun centred on an amusement park. In the meantime, the environment remind guests of Lyon’s prestigious Roman previous. Utilizing such settings, Filwa Nazer has suspended his textile works above Roman mosaics.
Filwa Nazer’s De la série 5 Ladies, A.Q, L.R, N.T (2021) at Lugdunum Museum as a part of the Lyon Biennale. Courtesy of the artist and Hafez Gallery with help from Diriyah Biennale Basis. © Amande Dionne
The journey by way of town continues through the historical past museum of Lyon-Gadagne, forging additional hyperlinks with town’s previous. Hannah Weinberger presents a sound work within the museum’s Renaissance courtyard, the biggest in Lyon, whereas different artists—Léo Fourdrinier, Kim Simonsson, Zhang Yunyao—exhibit within the small rooms courting from the sixteenth century. Jean Claracq and Giulia Andreani have scattered their work within the Gallo-Roman Museum’s 1975 Brutalist constructing, designed by Bernard Zehrfuss.
Kim Simonsson’s Modern Mossgirl (2022) at Lugdunum Museum as a part of the Lyon Biennale. Courtesy of the artist with help from Body Modern Artwork Finland. © Amande Dionne
One of many core occasions is on the Fagor Manufacturing facility, an enormous industrial wasteland. Bardaouil and Fellrath have designed a structured route in scenography impressed by development web site scaffolding. Right here too, the hyperlink with the previous is important, from the sculptures drawn from the gathering of the Musée des Moulages-Université Lumière Lyon 2 to the work from the collections of the Musée des Hospices Civils de Lyon, with canvases after Raphael (The Marriage of the Virgin, 1504) and Rubens (The Descent from the Cross, 1612-14) and a sarcophagus within the collections of Lugdunum-Museum and Roman Theatre.
Artists have additionally turned to the historical past of artwork. Joana Hadjithomas and Khalil Joreige current their video The place is my thoughts? (2020) that includes carved stone heads filmed at a number of archaeological museums. Gabriel Abrantes in The Extraordinary Misadventures of Stone Woman (2019) displays on the peregrinations of an historic sculpture that escaped from the Louvre Museum.
Within the work Théodore Chassériau, Christ within the Backyard of Olives (2022)—a fee for this version of the Biennale—Julio Anaya Cabanding has reproduced on deserted cardboard a portray by the Nineteenth-century painter, giving it a very fragmented look. One other fee, Markus Schinwald’s Panorama (2022) is an enormous set up that includes items from a number of Lyon museums. Elsewhere, the theme of damage can be current within the work of the Saudi artist Dana Awartani, who has reproduced the courtyard of the nice mosque of Aleppo broken in the course of the Syrian warfare in 2012 in her work Standing by the Ruins of Aleppo (2021).
Nicolas Daubanes’s Je ne reconnais pas la compétence de votre tribunal! (2022) on present on the Fagor manufacturing facility as a part of the Lyon Biennale Courtesy of the artist and Galerie Maubert with the help of ATC. A collaboration with Marc André. © Adagp, Paris, 2022 © Blaise Adilon
In an vital piece, the French artist Nicolas Daubanes in collaboration with the historian Marc André additionally questions historical past, exploring the Algerian warfare and its wounds. His work Je ne reconnais pas la compétence de votre tribunal! is a mannequin of the courtroom of the everlasting tribunal of the armed forces of Lyon in Montluc the place these accused of supporting the Nationwide Liberation Entrance in the course of the Algerian warfare have been tried. Elsewhere, Daniel Otero Torres examines social struggles in Colombia through one other biennale fee entitled A Los Héroes, on the Fagor Manufacturing facility.
The curators additionally needed to supply two massive areas within the manufacturing facility for monographic shows. Within the first, Julian Charrière, mixing artwork and science, confronts the customer with the immensity of glacial landscapes, elevating questions associated to local weather change. Subsequent door, and in a totally totally different environment, Hans Op de Beeck has created a frozen lifeless campsite. Fragility is all over the place.
• Lyon Biennale: Manifesto of Fragility, numerous areas, Lyon, France, till 31 December
[ad_2]
Source link
