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Comic (2019), a sculptural intervention by Italian conceptual artist Maurizio Cattelan that consists of a banana affixed to the gallery wall with duct tape, has misplaced none of its a-peel. On 27 April, an artwork scholar from Seoul Nationwide College who was visiting the Cattelan exhibition WE at Seoul’s Leeum Museum of Artwork eliminated the banana from the wall, ate it after which taped the peel again to the wall.
The coed, later recognized as Noh Huyn-soo, informed Korean broadcaster KBS that “damaging a piece of recent artwork may be (interpreted as a sort of) paintings”, in line with Korea Herald. Noh informed museum staff that he had skipped breakfast that day and was hungry. He added, “Isn’t it taped there to be eaten?”
Video of the incident reveals him consuming the work with minimal protests and no intervention from museum workers. Throughout its show on the museum, Comic’s banana is reportedly changed each two to a few days. Knowledgeable of the incident, Cattelan informed BBC Information, “No drawback in any respect.”
This isn’t the primary time one other artist has seized upon the potential for interactivity in Cattelan’s irreverent work. Throughout its first public show on the Artwork Basel in Miami Seashore honest in 2019, the efficiency artist David Datuna equally ate the banana, dubbing his act a efficiency, titled Hungry Artist. It turned the focus of his solo present the next February at New York’s Ca’d Oro gallery.
Three editions of Comic, which sparked a world media frenzy—with reactions to the work starting from humour and memes to outrage and indignation—offered for $120,000 throughout Artwork Basel in Miami Seashore. The next 12 months, a type of editions was gifted to the Guggenheim Museum in New York. It’s unclear who loaned the version on view in Maurizio Cattelan: WE (till 16 July) on the Leeum Museum of Artwork, however the work is evidently nonetheless ripe for comedy.
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